SUSANA MOMO Buenos Aires Argentina The techniques I learned are universal tools that help me recreate what impacts or affects me as a human being, to reflect the synthesis of what I feel deeply, and capture the energy of nature in every tiny seed and in ourselves. Only paint what I feel, that is what I am. DMOM artistic career Susana Susana Susana DMOM demoman, Argentina is a plastic artist who has done more than 300 exhibitions collective and individual since 1972. Completsus art studies with work in ateliers of renowned national artists, and reason to a scholarship, with European teachers. He has represented the country at international exhibitions (Xunta de Freguesa Lisbon Portugal, House Amatle Barcelona, Sala The Sinks Santa Cruz de Tenerife, Room Xtiva - Valencia Spain, Galera and Le LAlchimiste Poutre Marseille France, University of Aguas Calientes and Casa de la Cultura de Lagos de Moreno, Guadalajara Book Fair - Mjico, Galley Mo Picasso in Madrid and New York, among others) and national (Palais de Glace, Manzana de las Luces, National Technological University, Museum of Pueyrredn JM in San Isidro, Galerna Museum in Santa Fe, SMATA Hall, Room A. Cortzar July 30 Internaciaonal's Fair Book Buenos Aires, Embassy of Cuba, Albacaucin room, Bar Association of Buenos Aires, Casa de la Provincia de Buenos Aires, Sarmiento Historical Museum, among others) and is director of international project BY ARTISTS OF THE WORLD ADAPI PAZ.y of International Association of plastic artist. Author of 17 publications, including Argentina's first book, Painting on Wood and European American Art 1, 2, 3.4 and 5 His works are in collections in Morocco, Japan, China and several cities in Europe and Americas. WHERE SITES CAN SEE YOUR WORK http://susanademomo.artelista.com http://www.conelarte.com/susana_momo.index.htm www.margencero.com / s_momo / susana_entrada.htm http://susanam.tripod.com.ar / susanadmomopinturarealista> http://photos.yahoo.com/susanadmomo> http://pilotmotiv.com/susana.php www.artmajeur.com / susanadmomo Review of his work Susana, Momo, Susana d expressive representation Momo investigates the possibilities of expression contained in themed animals, human figures and symbolic works, while interested in the ubiquity of composition and unusual angles in still lifes. Your oil painting is based on a clear predominance of the drawing, for, later, deep into the intricacies of the elegance of the features in the care of the details, but without trying to form a sketch or work excessively baroque. His artistic concept approaches a certain realism, expressive character, which seeks the poetics of color, sensuality contained in the tones, the disposicintctica of traits, to carry out an expansive remodeling than is provided, looking anything unusual, almost intimate, despite the themed is not in itself . Exhibits a clear sense of freedom, which prevails over all, combined with some imaginative ingenuity, sweet background, sea content, that rocks the sand that juts into the sea, but has the elegance of discretion. Delve into the look of the interior to go to the formal, external, elucidating its limits, caressing sensuality areas controlled by accessing to the true essence of the limits, not beyond, but rather to reach the beaches of good taste from their chromaticity sensibilizacin. There is a predominance of soft colors, contrasting but not overly rigid spikes or exalted, looking for those most suitable in every circumstance and time. Serena, balanced, search consolidate a vision of what content, harmonious, in line with the circumstantial. Extremes meet, but, if any, are blurred, as is the bodegn, human figure, symbolic and themed work animalstica expressively restrained, looking more serene side, the representation No natural compositions that have an aura of uniqueness in their afn by the description. In short, it conveys an innate curiosity, a afn to discover the most allde the symbols, trying a sensory and perceptual communication, intellectual discourse alejndose to use weapons of strategic purposes image. His painting is fresh, has no ambiguity, or double readings, but more rather a passion for expression, which does not overflow the boundaries of drawing, but provides an intimate relationship with that discipline. Joan Forestry Association Llus International art critic ************************************************** ********************************************